the moors
by jen silverman
april 3rd - april 19th, 2026
“The moors are a savage place.”
click here to read the full show program!
“The Moors is a play that draws me in deeper every time I revisit it. I can’t wait for audiences to join us in this strange world and experience the unexpected humour, deft twists and shocking heartbreak that this play harbours. And I am thrilled to be working with Riot King, a community-minded company that has made a name for itself proving that you don’t need big resources to make a big impact.”
A young governess arrives at a mysterious manor on the remote Moors of England after exchanging many letters with the master of the house. But when the door opens, the only residents are his spinster sisters, a maid (or is it two maids?), and a lovelorn mastiff pining for a far-flung moor-hen. But when there seems to be no child to care for, she’s left to wonder why she has been brought here. The Moors is a dark comedy about love, desperation, and the dangerous results of yearning to be seen for too long. Drawing inspiration from classic Victorian Gothic novels by the Brontë sisters, but twisting the genre to become something weirder and wilder, The Moors is undeniably queer and unmistakably modern.
Directing this production is Toronto’s Bryn Kennedy, an alumnus of the Stratford Festival’s Langham Directors Workshop (and recipient of the Jean Gascon Award for Emerging Director) and Musical Stage Co.’s Apprentice Program. Bryn’s directing credits include her new interpretation of Rosamund Small's Vitals (Nominated Outstanding Solo Performance, My Entertainment Awards) or her direction of new speculative fiction play, JANE by Camille Intson, which sold out its run in the inaugural Tarragon Theatre Greenhouse Festival. She has also held assisting positions with prolific Canadian directors Jackie Maxwell, Peter Pasyk, and, currently, with Crow’s Theatre’s Artistic Director, Chris Abraham.
Leading the cast as older sister Agatha is the Dora Award-winning theatre veteran Raquel Duffy (Soulpepper, Mirvish, Canadian Stage, Neptune Theatre, Coal Mine Theatre). Younger sister Huldey will be played by Lindsey Middleton (Canadian Screen Award-nominee and Dora Award winner for Riot King’s Suddenly Last Summer, Bell Fibe TV1’s Cows Come Home). Canadian Screen Award-nominee and alumnus of the Canadian Film Centre’s Actors Conservatory Blessing Adedijo will play Emilie, the Governess, and Erin Humphry (Coal Mine Theatre’s Breathing Corpses) will play Marjory, the maid. Rounding out the cast is Jack Copland (Dora Award nomination for Three Ordinary Men, TV’s Total Drama Island) as The Mastiff, and Dora Award and Toronto Theatre Critics’ Award winner Heeyun Park 박희윤 as The Moor-Hen (Natasha, Pierre and the Great Comet of 1812, Crow’s/Mirvish).
The creative team also includes stage manager Liam Cox, lighting design by Franco Pang (Riot King/Spindle Collective, Shifting Ground Collective, Theatre Gargantua), costume design by Madeline Ius (Stratford Festival, Crow’s, Obsidian), and sound design by Ian Ottis Goff (Falling Iguana Theatre).
creative team
bryn kennedy
director
Bryn Kennedy (she/her) is a Director, Actor-Producer, Spreadsheet Planner, Life-Long Learner, and Community Builder.
As a director, her favourite credits include a new interpretation of Vitals by Rosamund Small (Outstanding Solo Performance Nomination, My Entertainment Awards), Beneath the Bed by Gabriel Golin (sold out, site specific run at Toronto Fringe) and new, speculative fiction play JANE by Camille Intson (inaugural Tarragon Greenhouse Residency). She is an alumni of Musical Stage Company‘s Apprentice Program and the Stratford Festival Langham Directors Workshop, where she was the recipient of the Jean Gascon Award for Emerging Director at the Guthrie Awards. She has held assisting positions with prolific Canadian directors Jackie Maxwell, Chris Abraham and Peter Pasyk.
Bryn is growing her experience both in front of and behind the camera. She has had roles on hit TV shows Coroner (CBC) & V-Wars(Netflix) and in the upcoming film Everything’s Going To Be Great(eOne) and has produced two short films, Save the Date and Alice is Fine.
LIAM COX
STAGE MANAGEMENT
madeline ius
COSTUME DESIGN
Ian Otis Goff
SOUND DESIGN
greg carruthers
MOVEMENT + INTIMACY DIRECTION
katherine cappellaci
PRODUCER
bryn kennedy
SET DESIGN
franco pang
LIGHTING DESIGN
jack davidson
FIGHT CHOREOGRAPHY
MOULAN BOURKE
VOCAL COACHING
brendan kinnon
PRODUCER